台湾家庭父亲和孩子之间的感情往往比较含蓄,但父亲的一言一行却深深影响著孩子,父与子是描述纺织大亨与5位孩子的家庭亲情大戏,希望把父子间的亲情关系,真实呈现给台湾观众。 开镜记者会上,民视总经理陈刚信将剧中代表治家家训的「通情达变」演员阵容派出超强卡司,有幽默逗趣的朱慧珍,还有刚拍完军中大戏的李兴文、方馨、柯叔元、陈宇风、唐丰饰演企业大亨的五名子女。 台湾家庭父子之间的亲情关系,总是一切尽在不言中,透过戏剧,将呈现出深沉内敛的父子亲情。
Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
此片在刘忠良的电影里,算好的了,动作是影片的最大亮点,刘忠良的腿功可以与<鹤形刁手螳螂腿>里的表现并肩了,其他的动作方面也很耐看,王将与刘忠良合并的[击石双生拳] 、"杂家高手"高飞的[茅山杂家拳],打斗场面占了全片的1\2, "古装李小龙"巨龙也在本片里耍了八步螳螂拳,仿李小龙,耍双截棍,让人感觉有些不伦不类,但最好的还是最后的打斗,"杂家高手高飞把豹子拳、螳螂拳、鹤拳、童子拜观音.........的招试通通用出,与刘忠良对打,后来王将赶到,两人合力VS高飞,使影片达到高潮,剧情方面也不赖,
在一次不成功的行窃之后,艺术品大盗尼莫被困在一间纽约的高层豪宅里,被艺术珍品环绕,而他必须找到逃离这里的方法。
玄武书房拟定出版一部面向当代人的中型国语辞典《大渡海》,阅历颇丰且行事一丝不苟的国语学者松本朋佑(加藤刚 饰)作为监修主持工作,谁知他最为器重的编辑荒木公平(小林薰 饰)却到了退休的年龄,选择回家照顾病中的妻子。此时编辑部中仅有做事浮躁的西冈正志(小田切让 饰)和临时工佐佐木熏(伊佐山博子 饰)。荒木和西冈多方物色,终于相中了营业部内不善于和人交往却对词语有着敏锐认知度以及做事极为认真投入的青年马缔光也(松田龙平 饰)。浩瀚的词语海洋,马缔与同事们用长达十五年的时间编制一艘驶向彼岸的小船。他们甘于寂寞,却也收获着弥足珍贵的幸福…… 本片根据三浦紫苑的同名原作改编。
The synopsis introduces Montse (played by Emma Vilarasau), who is very excited because she is about to spend a weekend with the whole family at her house in Cadaqués, on the Costa Brava. She has been divorced for a long time, her ex has a new partner and her children have grown up and are living their lives without paying much attention to her. But nothing and nobody can take away her spirits or her excitement. She has been waiting for this moment for too long and has been dreaming of it. This weekend will be perfect... even if she has to burn everything to the ground to make it so.
1996年省经贸委干部邱磊响应省政府号召,来到国家级贫困县紫阳县开展扶贫工作。在短短的三年时间里,邱磊以满腔热情和锲而不合的顽强精神,克服重重困难,帮助贫困山区引进亿元资金,在当地修建了养鸡场、茶场、蔬菜大棚,教村民养甲鱼,种蔬菜;同时还资助失学儿童,使他们重返校园读书。在邱磊三年扶贫期满之日,当地百姓舍不得他离开,恳请他再留一年。邱磊答应了农民的请求,不料,这使他永远留在了紫阳。1999年5月13日,邱磊在陪同外地客商考察途中,所乘汽车刹车突然失灵,危急关头,他将别人推出车外,自己却随车落下悬崖,不幸罹难,时年不满36岁。
79岁的西班牙女子玛丽亚·安赫莱斯独自生活在摩洛哥的丹吉尔,享受着自己的日常生活。然而,当她女儿从马德里赶来,想要卖掉她一直居住的公寓时,她的生活彻底被打乱了。决心留下来的她,竭尽所能想要夺回自己的家与财物,却意外重拾了爱情与感官的愉悦。
来自埃尔帕索的同志业余摔角手萨乌尔·阿曼达里斯(盖尔·加西亚·贝纳尔GaelGarcíaBernal饰)在创造了“自由摔角的自由者”卡桑德罗角色后,一举成为国际明星。在这个过程中,他不仅颠覆了男子气概的摔角世界,也颠覆了他自己的生活。
陷入性丑闻的韩国女星朴安可被公司下了一个“休假通告”,独自一人前往母亲的故乡杭州度假疗伤,到了杭州以后遇到了失意的音乐才子却以滴滴司机为兼职生计的余光,安可一次又一次的偶遇余光,两人从杭城的自然美景游历到夜晚的霓虹喧哗,同时天涯沦落人的他们慢慢对彼此的印象有了好转,但某天安可却突然消失不见,有一首未完成的歌成了余光搜寻的线索..
在费城北部度过夏天的时候,一边是犯罪世界,一边是关系疏远的父亲充满活力的都市牛仔亚文化,这让一个问题少年感到左右为难。
暂无简介
《侩子手》是西班牙写实主义大师贝尔兰加的巅峰之作,以辛辣的笔调描写了一个连苍蝇都不敢打的青年人,为生活所迫竟当上刽子手的故事。影片虽在如今的各大西班牙经典影片榜单上名列前茅,但由于推出时正处于弗朗哥黑暗时期,长时间没有得到人们的认可。